COUPS D'OEIL-CLINS D'OEIL – AT A GLANCE – VISTAZOS

AT A GLANCE
The Béjart Ballet Lausanne offers you ballet glimpses for free viewing. Step into the company's universe with excerpts from the BBL's repertoire - on stage or in the studio - and exclusive content!

COUPS D’ŒIL // CLINS D’ŒIL
Le Béjart Ballet Lausanne vous offre en libre visionnage des « Coups d’œil-Clins d’œil ». Entre extraits du répertoire du BBL – sur scène ou en studio – et contenus exclusifs, entrez dans l’univers de la compagnie !

VISTAZOS
Béjart Ballet Lausanne le regala un contenido libre, llamado vistazos. Entre fragmentos del repertorio del BBL – en el escenario o en el estudio – y contenidos exclusivos, ¡descubra el universo de la compañía!

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  • Extract of TOUS LES HOMMES PRESQUE TOUJOURS S’IMAGINENT

    John Zorn is one of the leading composers of contemporary American music. The density and diversity of his extraordinary work, which began in the mid-1970s, as well as the audacity and artistic freedom he expressed through his craft, never ceased to challenge and fascinate the artistic director o...

  • Extract of BÉJART FÊTE MAURICE - The First Symphony

    "I gathered a series of excerpts, just like how one would prepare a party. Or like how one would compose songs for a recital, a performance, a brief encounter." – Gil Roman

    _________________

    Choreography: Maurice Béjart
    Set design: Gil Roman
    Music: Ludwig van Beethoven
    Costumes design: Henri Da...

  • Extract of SYNCOPE

    Where were we when we were not there?

    In music, it’s a rhythm “out of time”. We are talking about syncopated music.

    In medical terms, it is a stoppage or slowing of the heart. 5 to 10 seconds of loss of consciousness during which the brain can just imagine, invent or review without limit.

    Me...

  • Extract of LE MANDARIN MERVEILLEUX

    When working on the choreography of the Mandarin merveilleux, I meticulously followed the sheet music, the story and the dramatic organisation of Béla Bartók's work.

    The slum-inspired universe of the “Mitteleuropa” in the years leading up to 1933 was revealed to me through the films of Fritz Lan...

  • Extract of SWAN SONG

    Gil Roman gives ‘carte blanche’ to Giorgio Madia, Italian choreographer and former dancer of the BBL, to create Swan Song for the company.

    Inspired by excerpts of Maurice Béjart‘s interviews, Madia analyses the master’s influence on his own work, reflecting on the archaic meaning of dance, its i...